The Dave Liebman Quartet was last here for the 2003 version of the Rochester International Jazz Festival. He tore it up then so we prepared ourselves for takeoff last night. We grabbed a table down front at Montage and ordered a Brooklyn Lager (one of the sponsors of the show). The waitress asked for the cash up front and explained that she had to buy the beer from the bartender. This club is on its last legs and I suspect they are already out of business. They still had the “STEEL” sign up on the wall from the days when they went metal and the barricade to keep the meatheads from diving on the stage.
The set was exhilarating. Dave is in complete command and he gets there every time. The guitar player was amazing and we recognized him from the Sunday night's Dharma Jazz which must have been a pick up gig for him. The group has been together for years and they play like a real band. They listen to and work with each other like the seasoned pros that they are. They did a tune from their new cd that was the slinkiest, low down, film noir track I have ever heard. Dave started it with a little wooden flute and he switched to soprano sax while the bass player strolled through some dark, swinging neighborhoods.
At the end of his set he told he crowd, “OK. You go see the rest of the bands. And you tell me.” Martin Edic had just chided us for darting around. He said, “You can’t just pop in for one or two songs and decide whether you like someone or not.” So we looked at each other and decided to just stay right here for the second set. It was equally good if that is possible. Dave did a song dedicated to an African pop singer who he heard everywhere while traveling to the Sahara for his sixtieth birthday. He played percussion in the intro and then some wildly exotic tenor. You rule Dave! - photo by P Doddy - click photo to advance > next